Miriam Hanid 2015-08-06 11.40.35 c_wm

Fine Lines at The Scottish Gallery

Undoubtedly one of Edinburgh’s most elegant and inspiring exhibition spaces, The Scottish Gallery is currently hosting a show reflecting their usual eclectic mix of precious objects alongside fine art from established and upcoming artists. Jim Partridge Liz Walmsley SG EB 815 P1060809_wm(2)Timed to coincide with the annual Edinburgh International Festival, Fine Lines blends Scottish and international works linked by a common thread: each piece, whatever its size is vibrant, accomplished and highly desirable.

This review focuses on the objects on show which in no way diminishes our interest in the jewellery.

Miriam Hanid 2015-08-06 11.40.11 s_wm

Miriam Hanid 2015-08-06 11.40.35 c_wmMiriam Hanid 2015-08-06 12.03.22 c_wm Miriam Hanid 2015-08-06 12.02.44 c_wm

My visit coincided with an opportunity to meet artist and silversmith Miriam Hanid who gave an informative talk about her silver and gold vessels and platters, followed by a chance to handle and examine the exhibited works in detail. The sensuality and sensitivity of her pieces was all the more apparent – in turn boldly sculptural and finely detailed, the two approaches often embodied in one piece, drawing on her extensive skills in chasing, repoussé and engraving.

“The essence of movement in water is the inspiration for my work.”
Miriam Hanid, 2015.Miriam Hanid 2015-08-06 12 04 06 c_wm

Water features large, in the sheer fluidity of Miriam’s chosen forms and more graphically in the water ripples, waves, sea scapes and the reflections of birds in flight, skies and clouds. Evidence of a recent trip to Morocco was also apparent as were the daily visual cues found closer to home and her studio: delicate leaves, feathers and intricate flower forms, many picked out in lemon gold against the multi faceted textures of silver. Miriam Hanid lm DSCF5000 c

Also on show Jim Partridge and Liz Walmsley’s gorgeously tactile and satisfyingly comfortable scorched oak furniture and Jim’s burr oak vessels – solid, warm and soft as only wood can be, refined and inviting.Jim Partridge Liz Walmsley SG EB 815 P1060811_wm(1)Jim Partridge Liz Walmsley SG EB 8 15 P1060814 c_wm

Susan Hipgrave’s display highlighted on-trend black and white botanical paintings on porcelain plates, classics with a twist – life-like yet not quite true to life, nature hybridised in intricate detail, full of graphic impact.Susan Hipgrave SG EB 815 P1060808 c

Kirsten Coelho’s porcelain is all handbuilt and finely glazed, immensely pleasing, familiar and mysterious in one breath, arranged singly and in groups to form narratives like abstract paintings – exploring form, colour, tone and light.Kirsten Coelho SG EB 815 P1060806_wm(1)

My Kirsten Coelho SC EB 815 P1060807_wm(1)eye was drawn to two other artists, not strictly speaking part of the show.

Akiko Hirai’s huge vase oozed organic texture inviting touch, juxtaposing the raw with the smooth in a perfectly imperfect shape.Akiko Hirai SG EB 815 P1060815_wm(1)

Outside Andrea Geile’s sculptures graced the outdoor space playing with light, shadows, shapes and yet more texture, gracefully complementing The Scottish Gallery’s beautifully tended little garden.Andrea Geile into the wild

Fine Lines, downstairs at The Scottish Gallery, Edinburgh, runs till 5th September 2015 as does Into The Wild, outside.scottish gallery 2015-08-06 11.11.17_wm(1)

Text: © Emma Boden, 2015
Photos: © Emma Boden except Miriam Hanid’s Hosta by Lucy Moseley and Andrea Geile’s sculpture, photographed by the artist.

 

 

 

 

 

 

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